Damn, I still can’t get over last Friday. Urban Sol exploded and flared into the night. Cyphers of dancers were grooving long past the point where I was falling asleep, the moon almost below the horizon. It was seriously some controlled chaos at ASU. Urban Sol definitely made Tempe & Hip Hop history as well this weekend. We might have broken a few windows with the beats. Really. Lemme break the night down for you:
- • Furious Styles Crew took home the bacon in the 5-on-5 battles, though every crew gave it everything they had and put on an amazing show. I was seriously blown away by these b-boys & girls. It was intense but it was all fun at the same time, showing true breaking spirit in the aggression but also the respect all dancers had for one another. Unbelievable moments a-plenty. The amount of work and raw passion that obviously went into every crew’s performance was inspiring. Y’all put Hollywood to shame with your moves!
- • Conducting all the madness on the turntables, the winner of the DJ competition was selected in a classic audience-response style. That means screams. DJ Panic succeeded in gaining the most hype, taking home a cool 200$ & some definite bragging rights for beating out local hero DJ Tiger (dude even had his own signature tiger noise!). All four DJ’s of the night kept the energy more live than Frankenstein taking a lightning bolt from Zeus. That’s the only way to describe the music they chose, ranging from old school hip hop, funk, 80’s music (dancin’ with myself, oh oh oh-oh!), all through the 90’s and some stuff so new, not even the trendiest of college kids could keep up!
- • & of course, New Breedz (link), the Urban & Funk ensembles, Juke Kids & everyone else who took the stage blew us all away. The acts of the night covered all 4 corners of Hip Hop, with each act doing their own unique take on their art. Real incredible talent, all around.
- • The graffiti wall was also signature and unique. Audience members gave away shoes, shirts, sweaters, (one guy brought a clock) amongst other things that were nailed to the canvas and painted on, giving the final piece a three-dimensional aspect. Take a look:
King Charles, of Footworkingz, proclaimed by his city as the monarch of Chicago Footworkin’ at age 14, was our guest artist for the Urban program last week. I attended a class session led by him and left with five new callouses. I left convinced this man had the fastest, most intricate movement even possible for the human body to do.
Chicago Footwork is a high energy, lower-body focused style that is purely unique to the Windy City. King Charles & the Footworkingz are on a mission to spread their passion around the nation & the globe, taking the breath away from their audience at every performance. The dance is usually done to songs at around 180 bpm, so you can imagine the intensity involved. Actually, you can’t. You can only watch and be amazed:
King Charles taught us all about dedication and believing in your artwork. Being the King of anything isn’t easy, so as the leader of his own style of dance King Charles is a living lesson to dancers & all artists to believe in what you have to offer to the world, and to pursue that with everything you got. The amount of sweat this guy gives to his style every day is a testament to what it takes to be a professional chasing their dreams. Keep it movin’ King! Big ups to you & thanks from ASU for the inspiration!
These next two weeks belong to Archie Burnett, true dance veteran & legend from Brooklyn. Archie has spent the past two decades working on a documentary entitled “Check Your Body at the Door,” a study into the lives of New York dancers and how they get by, why they do what they do, & also a striking look at the many different moves seen in his home city.
Archie himself is a guru of dance, a connoisseur of movement & music. Don’t miss the chance to share with him at his workshop the evening of Friday, April 11th. (FAC 28, 5$!) This is also the last workshop of the year, so don’t miss out on the fun!
Archie Burnett is also hosting the aforementioned Come as You Are Ball, on April 18th. This is going to rival Urban Sol as ASU’s Hip Hop event of the year. No doubt it will be a night you will never forget! Tickets are 15$ at the door, but presales can be had for 8$ (here’s your hookup for that presale price y’all, post your name & email & you’ll get the link for half price!)
- • Love Hip Hop? Of course you do. Deepen your knowledge of the culture at the Check Your Body at the Door film screening! No matter what you’re into, knowing more about a culture you’re unfamiliar with will help your own pursuits.
Even if you’re already a certified Hip Hop head, you’ll definitely learn something new, or at least have a lot of fun (: BE THERE! This is going down in PEBE East, April 14th, at 8 p.m. I’m bringing munchies!
- • ASU’s Urban Arts Club is also hosting a panel discussion April 16th, PEBE East (room 132) at 7 – 10 pm. We’ll be gettin’ all scholarly; discussing gender & sexuality in art & our society. Get Educated!
This week’s art spot is a focus on Thomas “Breeze” Marcus, a local Phoenician and Tohono O’odham Native American. His style combines graffiti & traditional Native motifs, to create something that’s well, really just indescribable. If you live here, you’ve probably seen his work saving Phoenix from the despair of white-washed monotony downtown. Take a peek at some of his lesser known work: